Getting Outside The Box

Thinking “outside the box” or (as it is sometimes known) “colouring outside the lines” is a popular idea in the business world today.

People and organisations are told to think outside the box or colour outside the lines as a way to stimulate creativity when they need to solve problems like streamlining production, establishing a new product, or developing a new process.

And it’s true that creativity and innovation often arise from unexpected and unconventional thinking.

But There’s a Problem…

There is a serious problem with trying to apply such thinking too broadly.

For instance, creativity is valued in art and advertising, but not in banking and accounting.

An accounting firm recently ran an ad suggesting that it could think “outside the box.” Do you really want your business to be associated with creative accounting? Aren’t accountants supposed to put the numbers in the right box? Wasn’t creative accounting a serious problem for Enron?

In reality, clear thinking and the creativity that it produces are rarely a matter of thinking outside the box. And colouring outside the lines is for the most part just sloppy workmanship.

The art of clear thinking is a matter of putting thoughts into the right boxes or categories. Clear thinking is a matter of mental organisation.

Conversely, sloppy thinking involves the confusion of categories, of putting ideas into the wrong boxes or not putting them in order at all. Is a child who will not straighten his or her room creative or just sloppy? There is a significant difference.

While creativity sometimes looks sloppy to an outside observer, it does not issue from sloppiness.

Picasso Was a Creative Artist…

But his creativity was not a matter of the art he produced. In reality, his abstract work is technically sloppy. It looks like the work of a child. Picasso could sell his abstract art only because he had previously established himself as an artist who could colour inside the lines very well. Had he not first proven his artistic talent in the traditional way, his abstract art would have been worth much less.

Picasso used his reputation as a traditional artist to establish a new direction in art. He didn’t so much colour outside the box, as he expanded the boundaries and definition of the box. But the point is that his abstract creations were valuable only because of his proven abilities in the traditional arts.

Contrast another, contemporary artist’s efforts to establish himself as an abstract artist. His art has gone unnoticed because he has not been able to prove himself as a traditional artist. Not that, he actually tried to do so…but we’re using him as an example to make the point.

The creativity of a novel idea requires the discipline of order and structure to be valuable. Picasso’s art is valuable because he was an accomplished painter who intentionally colored outside the lines. The ‘other’ artist’s art is not valuable because he is not an accomplished painter and he accidentally colour outside the lines.

While the two products may look similar, the difference is critical.

Creativity is More Than Just Breaking the Rules…

Similarly, Joseph Heller was able to break the rules of English grammar in his book, Something Happened (Scribner, 1974), only because he was intimately familiar with them.

Having taught English, he was a master of grammar. And only out of his expertise could he creatively exploit, expand and redefine the boundaries of grammar. And so it is with regard to thinking outside the box.

Thinking Outside the Box Apart From Being Able to Think Inside the Box is Worthless…

Such thought is just plain sloppy. Thus, the suggestion that creativity lies in the ability to think outside the box is mostly nonsense. Creativity arises from talent, ability and discipline. Talent must be forged and shaped on the anvil of discipline in order to develop ability. Great ability is always the result of study, discipline and practice.

Creativity is more a matter of seeing that the boxes themselves are inadequate and suggesting a better arrangement or a better definition. Creativity doesn’t simply discard the boxes…it redefines and/or rearranges them after becoming intimately familiar with them.

Real creativity is always the fruit of discipline and order. Creativity, in order to be genuinely creative, and not simply sloppy disorganisation, must emerge out of discipline and order as an intentional effort.

While a creative idea often comes unbidden out of unexpected places, it requires discipline, study and order to make something of it. Apart from discipline and order, what passes for creativity is nonsense, and to suggest otherwise actually undermines and/or weakens the creative process.

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